Van Gogh: The Complete Paintings - Walther, Ingo F; Gogh, Vincent Van Review & Synopsis

Synopsis A complete catalogue of the 871 paintings and a detailed monograph on his life and art This study of Vincent van Gogh represents a rare and happy chance in art history, combining a detailed monograph on his life and art with a complete catalogue of the 871 paintings by one of the greatest modern artists. This volume also reproduces most of van Gogh's paintings in colour for the first time. Review About the authors: Rainer Metzger studied art history, history and German studies in Munich and Augsburg. He received his doctorate in 1994, and has worked as a fine arts journalist for the Viennese newspaper Der Standard. He has written numerous books on art, including volumes on van Gogh and Chagall. Ingo F. Walther (1940-2007) was born in Berlin and studied medieval studies, literature, and art history in Frankfurt am Main and Munich. He has published numerous books on the art of the Middle Ages and of the 19th and 20th centuries. Walther's many titles for TASCHEN include Picasso, Art of the 20th Century, and Codices Illustres 'Succeeds in capturing the brutality and magnetism of his works' Art Press, Paris Van Gogh This comprehensive study of Vincent Van Gogh (1853-1890) contains a detailed monograph on his life and art combined with a complete catalogue of his 871 paintings, mostly reproduced in color. This comprehensive study of Vincent Van Gogh (1853-1890) contains a detailed monograph on his life and art combined with a complete catalogue of his 871 paintings, mostly reproduced in color." Vincent Van Gogh, 1853-1890 'This man will go insane or leave us all far behind', prophesied the great impressionist Camille Pissarro. The man was Vincent Van Gogh (1853-1890), a vicar's son born at Groot-Zundert near Breda in Holland. Van Gogh was a solitary, despairing and self-destructive man and followed a variety of professions before becoming an artist. He craved recognition throughout his life which was denied until after his self-inflicted death. Today he is universally recognised as one of the great forerunners of 20th century painting, and one of the tragic masters of art. This study by the two leading experts - Reiner Metzer and Ingo F. Walther (who previously published the first ever "Complete paintings of Van Gogh") follows the artist from the early gloom-laden paintings in which he captured the misery of peasants and workers in his home province, through the bright and colourful paintings from his period in Paris, to the work of his final years under the southern sun in Arles, where at last he found the light that produced the unmistakable Van Gogh style. Bombarded by influences from every quarter, Van Gogh tried a number of approaches and techniques before leaving Arles in 1888. In search of a new style and in a feverish burst of creative energy that marked the last two and a half years of his life, he produced the 465 paintings on which his immortality rests. This study by the two leading experts - Reiner Metzer and Ingo F. Walther (who previously published the first ever "Complete paintings of Van Gogh") follows the artist from the early gloom-laden paintings in which he captured the misery of ..." Impressionism Defining an artistic era or movement is often a difficult task, as one tries to group individualistic expressions and artwork under one broad brush. Such is the case with impressionism, which culls together the art of a multitude of painters in the mid-19th century, including Monet, Cézanne, Renoir, Degas, and van Gogh. Basically, impressionism involved the shedding of traditional painting methods. The subjects of art were taken from everyday life, as opposed to the pages of mythology and history. In addition, each artist painted to express feelings of the moment instead of hewing to time-honoured standards. This description of impressionism, obviously, is quite broad and can apply to a wide array of styles. Nonetheless, it remains a very important school in the annals of art. Any current or budding art aficionado should become familiar with the impressionist movement and its impact on the art world. This book presents a sweeping study of this artistic period, from its origins to its manifestations in the works of some of art history's most revered painters. Following this overview is a substantial and selective bibliography, featuring access through author, title, and subject indexes. Subjects : Gogh , Vincent van , 1853-1890 --Criticism and interpretation . Impressionism ( Art ) -- France . LC Classification : ND653.G7 W35 1993 Dewey Class No .: 759.9494 20 Walther , Ingo F . Vincent van Gogh : the complete paintings ..." Van Gogh's Gardens Of the passions driving Vincent Van Gogh's extraordinary art, one of the greatest was his abiding preoccupation with flowers, gardens and the natural landscape. Living in poverty, however, he was never able to translate the breathtaking visions on his canvas into an actual garden. Now, thanks to Derek Fell's marvellous images, insightful writing and reverent adherence to Van Gogh's original botanical ideas, Van Gogh's gardens have finally come to brilliant life. Drawing inspiration from his dazzling paintings of sunflowers, irises and Provencal landscapes as well as from the eloquent letters he wrote to his brother and sister about colour harmonies and planting ideas, Fell has lovingly created and photgraphed the living embodiment of Van Gogh's singular reflections on colour and nature. More than 130 original colour photographs show the roots of his ideas in the French landscape today and reveal exactly how those ideas will look in our own backyards, including contemporary gardens that embrace such unconventional, Van Gogh-inspired pairings as geraniums with poppies and heliotrope with roses. The book also showcase twenty of the master's most stunning paintings of landscapes and flowers. New York: Penguin Books, 1998. . The Letters of Vincent van Gogh . Edited and introduced by Mark Roskill. New York: Touchstone, 1997. Walther , Ingo F .; and Metzger Rainer. Vincent van Gogh: The Complete Paintings ." Bone Dead, and Rising Here is a vivid, poetic, and evocative story of the painter Vincent van Gogh's struggle to become his true self. The author listens in on Vincent's most intimate, frequently startling thoughts on a host of topics, drawn from three volumes of his correspondence and his 900 extant paintings. What emerges is the portrait of an artist whose spiritual vision was borne of an agonizingly prolonged experience of the "dark night of the soul" through which his art dared to envision the triumph of joy over sorrow, of resurrection over suffering and death. Readers will discover that in many ways Vincent's story is as much about us as about him. Tracing van Gogh's pilgrimage from being an apprentice art dealer to being called to minister, in self-renunciation and misery, among destitute coal miners, the narrative follows his winding, tortuous path into adulthood as he struggles with family, associates, lovers--and with himself. Constantly evidenced in Vincent's own eloquent words and paintings is his tussle with the mysterious presence and maddening absence of God. Vocation unveils as a process of summoning and birthing his own self, through an attempt to imitate Christ, calling forth van Gogh's extraordinary creative powers from deep within. Adding choice supplies from other observers, Davidson here weaves his own exact, artful tapestry of interpretation, producing a suspenseful excursion into the life of van Gogh that offers profound meaning at every turn. Van Gogh , Vincent. The Complete Letters of Vincent van Gogh . Edited by Johanna van Gogh -Bonger. 3 Vol. Boston: Little, Brown, 1978. Walther , Ingo F ., and Rainer Metzger. Vincent van Gogh: The Complete Paintings . 2 vols." Christ of the Coal Yards No one heard the shot. No one ever found the gun. It was Sunday, July 27, 1890. Vincent had recently finished Wheatfield with Crows, thought to be his final painting, one that he described as representing “vast fields of wheat beneath troubled skies,” one where he said in a letter he meant to send to Theo “I did not need to go out of my way to try to express cheerlessness and extreme loneliness.” The letter never got sent, but was found stuffed in his smock. That morning, as usual, he walked out into the wheat fields with his easel, brushes, tubes of color and folding stool, perhaps hoping to reach his destination before the gang of local boys and girls were up and able to tease him and throw tomatoes. Le Crau, a wide plain of ripe grain, fields of citron, yellow, tan, and ochre, spread out beneath the bright Provencal sun. It’s safe to assume he heard the cicadas singing loudly, the swiping swishes of the farmers’ scythes already cutting through the rich wheat stalks, the gusts of wind whispering through the olive branches. Driven and filled with energy for months, he had been quickly, with an assurance that overcame and perhaps even came from his doubts and struggles, putting his own dramatic visions on canvas after canvas. But today he did not go into the fields to paint, or, perhaps, in the beginning he did, perhaps in the morning that was his intention. No one will ever know. He said he brought the revolver to frighten off the crows. Possibly that was his original intention when he included it with his lunch of bread and milk. In the end it‘s probably not relevant, except for the endless attempts to analyze him, to dig into his complex psyche, at once brilliant and yet impelled to self-destruction. The Ravoux family were sitting on the terrace of their café when he returned, a bit concerned because he was late, but not overly so. When he finally appeared, his walk was more uneven than usual, and he held his hand over his stomach. “Monsieur Vincent,” Mrs. Ravoux said, “we were worried, we are glad to see you come. Has anything bad happened?” “No, but I . . .” he left his reply unfinished as he passed inside. Mr. Ravoux followed him upstairs, where he found him sitting on his bed, facing the wall. “I wanted to kill myself.” This book is a critical examination of Vincent van Gogh that offers insights into his life, his religious beliefs, his relationships with women, and, of course, his paintings. It includes discussions of his letters, and responds to many of the previous works about him, dispelling some of the myths that have no foundation and pointing out how many of the claims made about him and many of the popular beliefs that have grown up around him are at best guesswork. It explores psychological, neurological, theological, philosophical, aesthetic, and historical paradigms for comprehending his enigmatic and enticing personality. Van Gogh's Women: Vincent's Love Affairs and Journey into Madness, 93, 293 Van Gogh's Women: Vincent's Love ... P. H. A., 253 Walk in the Snow,, 53 Walk on the Ramparts,, 53 Walsh, Michael, 130, 296, 314 Walther , Ingo F ., 61, 65, ..." The First Moderns A lively and accessible history of Modernism, The First Moderns is filled with portraits of genius, and intellectual breakthroughs, that richly evoke the fin-de-siècle atmosphere of Paris, Vienna, St. Louis, and St. Petersburg. William Everdell offers readers an invigorating look at the unfolding of an age. "This exceptionally wide-ranging history is chock-a-block with anecdotes, factoids, odd juxtapositions, and useful insights. Most impressive. . . . For anyone interested in learning about late 19th- and early 20th- century imaginative thought, this engagingly written book is a good place to start."—Washington Post Book World "The First Moderns brilliantly maps the beginning of a path at whose end loom as many diasporas as there are men."—Frederic Morton, The Los Angeles Times Book Review "In this truly exciting study of the origins of modernist thought, poet and teacher Everdell roams freely across disciplinary lines. . . . A brilliant book that will prove useful to scholars and generalists for years to come; enthusiastically recommended."—Library Journal, starred review "Everdell has performed a rare service for his readers. Dispelling much of the current nonsense about 'postmodernism,' this book belongs on the very short list of profound works of cultural analysis."—Booklist "Innovative and impressive . . . [Everdell] has written a marvelous, erudite, and readable study."-Mark Bevir, Spectator "A richly eclectic history of the dawn of a new era in painting, music, literature, mathematics, physics, genetics, neuroscience, psychiatry and philosophy."—Margaret Wertheim, New Scientist "[Everdell] has himself recombined the parts of our era's intellectual history in new and startling ways, shedding light for which the reader of The First Moderns will be eternally grateful."—Hugh Kenner, The New York Times Book Review "Everdell shows how the idea of "modernity" arose before the First World War by telling the stories of heroes such as T. S. Eliot, Max Planck, and Georges Serault with such a lively eye for detail, irony, and ambiance that you feel as if you're reliving those miraculous years."—Jon Spayde, Utne Reader Van Gogh's “Diary”; the Artist's Life in His Own Words and Art. Edited by Jan Hulsker. New York: Morrow, 1971. ... Vincent Van Gogh: The Complete Paintings . Compiled by Ingo F . Walther and Rainer Metzger. Cologne: Taschen, 1990. van ..." Insanity and Genius In his book about the discovery of the structure of DNA, James Watson wrote, “So we had lunch, telling ourselves that a structure this beautiful just had to exist.” Indeed, the quest most often asked by scientists about a scientific theory is “Is it beautiful?” Yes, beauty equals truth. Scientists know, mathematicians know. But the beauties, the truths of mathematics and science were not the truths that inspired the author as a child, and he intuitively knew that the truths he needed come from a different way of knowing, a way of knowing not of the world of logic and reason and explanation (though they have a value), but rather a way of knowing that is of the world expression, a world that enters the truths beyond the grasp of logic. That is what this book is all about. It is an exploration of the greatest minds of human existence struggling to understand the deepest truths of the human condition. This second edition updates the previous one, incorporating new publications on Van Gogh, recent discoveries in neurology, psychology, and the rapid developments in understanding DNA and biotechnology. We’ve come a long way already from that original discovery by Watson and his coauthor Francis Crick. In the very impressive work Van Gogh: The Complete Paintings , Ingo F . Walther and Rainer Metzger, while retaining the assumed love and affect it had on Vincent , put it more factually: van Vincent lacked experience with women, ..." A secret van Gogh. His Motif and Motives This book investigates a complex layer ofmysteries and cluesconcealed in van Gogh's paintings and biography. New points of view on the painter's life are introduced and a foundation is laid for the interpretation of the iconography withinhis work. The book deduces from the painter's biography: a previously unexplored interpretation of the final argument with Gauguin; the critical role played by Rachel, la jeune fille d'Arles working in rue des Récollets, in the final years of the painter's life; Theo's role in quelling the scandal of the December 23rd ear amputation and Gauguin's ensuing arrest; The author underscores his thesis though a series of details in van Gogh's works, the painter's own letters, and by re-visiting well known events in his life. This juxtaposing of biographical facts with the psychological origins of the works posits an exciting new thesis in "A Secret of Van Gogh: His Motif and Motives" that will be of great interest to a wide audience of readers. A flawless essay, precise and complete with an original weaving of full disclosure and scientific soundness. ... WALTHER 1990 - Ingo F . Walther and Rainer Metzger, Vincent van Gogh All the Paintings , Taschen, 2 voll. Køln, 1990."